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Whether the “faux” Gagosian by the Wrong Gallery crowd in the Berlin Biennial is actually as guerilla as its creators claim is arguable (piles of EU funding and institutional approval for the show being the two obvious reasons to question their guerilla cred, as even art forum points out). Whether the replica of a Wooster Collective piece from Long Island City, Queens, at the end of the street that had the various stations of the Biennial on it, qualifies as guerilla is less arguable.

The fact that no one seems to know how or when it got there only adds to the guerilla affect (though if you do know, I’m certainly curious).

This entry was posted on Sunday, June 18th, 2006 at 11:14 am and is filed under Reasonable. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.